2019** Fieldsend-Danks, P. (ed.) Drawing Research Theory and Practice, Journal, Intellect/ Guest Editor Issue 4.2.
2016 Fieldsend-Danks, P. (2016), ‘The Dialogues project: Students as partners in developing research-engaged learning’, Art, Design & Communication in Higher Education, 15: 1, pp. 89–102, doi: 10.1386/adch.15.1.89_1.
2014 Harty, D. (ed.) Drawology, Exhibition catalogue ISBN. 978-0-9576009-7-3.
2014 Fieldsend-Danks, P. (ed.) (2014) Drawing in-situ (Guest Editor), Tracey Journal/ ISSN. 1742-3570.
2010 Jerwood Drawing Prize 2010, Jerwood Visual Arts ISBN. 978-0-9563570-1-4.
2009 All over the place: Drawing space, drawing place, Land2, Caseroom Press, Lincoln. ISBN. 978-1-905821-14-3.
2008 Kindly Light, Rabley Contemporary, Wiltshire.
2001 Legacy: Interpreting Gainsborough, The Holburne Museum of Art, Bath.
1994 External Examination, Sala de l’Institut Britanic, The British Council, Barcelona.
2016 Constellation, Undercroft, Norwich, in collaboration with Piet Zwart Institute, Rotterdam.
2016 Imagined Landscapes, Royal West of England Academy, Bristol.
2015 Anonymous Drawings 2015, Galerie Nord Berlin Germany (touring 2015-16: Galerie ARTQ13 Rome Italy/ Galerie GEYSO20, Braunschweig, Germany).
2014 Drawology II, Lanchester Gallery, Coventry University.
2014 Space Place and Negotiated Territories, Norwich University of the Arts.
2013 Drawology, Bonnington Gallery, Nottingham Trent University.
2012 Anonymous Drawings Archive, Arhus Kunstakademi, Arhus, Denmark.
2011 Intersections & Counterpoints (Portfolio), Monash University, Melbourne, Australia.
2011 Anonymous Drawings Archive, Sihlquai 55 Offspace visarte, Zürich, Switzerland.
2010 Jerwood Drawing Prize 2010, Jerwood Space, London (touring 2010-11 to Summerfield Gallery, University of Gloucestershire; South Hill Park, Bracknell; Oriel Myrddin Gallery, Carmarthen, Wales; DLI Museum & Durham Art Gallery, Durham).
2010 All over the place: Drawing space, drawing place, The Stanley & Audrey Burton Gallery, University of Leeds.
2010 Market, Late Shift at Sainsbury Centre for the Visual Arts, University of East Anglia and Boston University, USA.
2010 Anonymous Drawings Archive, Uferhallen, Berlin, Germany.
2010 This is what we do, Stew Gallery, Norwich.
2010 Masters and mistresses of drawing, Rabley Contemporary, London Art Fair.
2009 Anonymous Drawings No.10, Kunstraum Kreuzberg/ Bethanien, Berlin, Germany.
2009 Locus 2009, Vision’s Gallery, Tokyo, Japan.
2009 Triptych Papers: Drawing practice as knowledge, Norwich University of the Arts.
2008 All over the place: Drawing space, drawing place, University of the West of England.
2006 Contemporary Landscape Drawings, Lucid Arts Projects, Salisbury.
2005 Nocturne, Rabley Contemporary, Wiltshire.
2005 Drawing Power (Campaign for Drawing), Wyvern Theatre, Swindon.
2004 Defying Definition, Rabley Contemporary, Wiltshire.
2003 Mirror II Nature, SevenSeven Contemporary Art at Mile End Art Pavilion, London.
2002 Mirror, SevenSeven Contemporary Art, London.
2002 Mother and Child, Holburne Museum of Art, Bath. Featuring work by Neri di Bicci, Van Cleve, Bartolomeo Schedoni, William Hogarth, William Tate, John Russell, Alec Miller, Eric Gill, Henry Moore, Gabriella Sancisi, Carolina Chibure and Paul Fieldsend-Danks.
2000 Trace Elements, Swindon Museum and Art Gallery, Swindon. Featuring work by Henry Moore, Ben Nicholson, Ivon Hitchens, Richard Long, Richard Hamilton, Lucien Freud, Gwen John, John Bellany, John Skeaping, Leonard McComb, Leon Kossof, Julian Trevelyan, Howard Hodgkin, John Walker, Edward Wadsworth, Graham Sutherland, Alan Bond, Meryl Ainslie and Paul Fieldsend-Danks.
1999 Cheltenham Open Drawing, C&GCHE, Cheltenham; Karl Hofer Geselleschaft, Western Bahnhof, Berlin; & European Illustration Collection, University of Humberside.
1999 Heart of England Biennial, Herbert Art Gallery & Museum, Coventry.
1997 Traces of the Self, Plymouth Arts Centre, Plymouth.
1996 Art and Soul: Art at the end of the C20th, Herbert Art Gallery & Museum, Coventry. Artists: Mona Hatoum, Dhruva Mistry, Tricia Gilman, Richard Wilson, Floris van den Broecke, Susan Hiller, Tom Phillips and Paul Fieldsend-Danks.
1995 Second Skin, Bedford Hill Gallery, London.
1995 Heart of England Biennial, Herbert Art Gallery & Museum, Coventry.
1994 Lenguaje y Localizacion, Sala Cultural, Caja de Madrid, Barcelona.
1994 Art in Academia, Christies, London.
1994 Imtages, text i movement, Centre Civic Pati Llimona, Barcelona.
2018 Factory Settings (Curation Group), Plymouth College of Art at Tate Exchange, Tate Modern, London.
2016 HxBxP: Project artist: James Quinn (PhD candidate) in ‘Le Accademie di Belle Arti si mostrano’, Corso Federico II, 33, L’Aquila, Italy (project supervisor).
2016 Constellation, Undercroft, Norwich, in collaboration with Piet Zwart Institute, Rotterdam (co-curated with Dr. Judith Stewart).
2014 Afteryears: British Art 1946-52, Gallery at NUA, Norwich: works selected from the Arts Council Collection, MA Curation show (project co-supervisor with Professor Neil Powell).
2013 Drawn to architecture, Norwich Cathedral. Collaborative project: MA Curation and LSI Architects, Norwich (project supervisor).
2008 Lines of enquiry IV, Institute of Contemporary Interdisciplinary Arts (ICIA), The University of Bath (producer).
2007 Lines of enquiry III, Institute of Contemporary Interdisciplinary Arts (ICIA), The University of Bath (producer).
2006 Lines of enquiry II, Institute of Contemporary Interdisciplinary Arts (ICIA), The University of Bath (producer).
2005 Lines of enquiry I, Institute of Contemporary Interdisciplinary Arts (ICIA), The University of Bath (producer).
2000 Trace Elements: Swindon Museum and Art Gallery, Swindon (curator).