MA Glass — Overview
Our MA Glass programme encourages the development of individual and distinctive glass practice through engagement with contemporary approaches to the material, critical and cultural context and debate.
Exploration through playful investigation of a full range of material expressions is encouraged, challenging preconceptions about the material and its status within the world of craft, art and design.
By placing materiality and conceptual development at the centre of your practice, you can explore the visual language of glass in juxtaposition to other materials and modes of thinking.
This programme encourages entrepreneurial creativity through self-initiated and independent approaches to making, whilst considering the subject at its extreme edges in relation to process, technique, application, customer use and audience.
Pursuing attitudes of new thinking and investigations to develop personal design ideas, you’ll be encouraged to examine personal references and capitalise on collaborative opportunity, as well as interacting with emerging technologies and sustainable solutions.
The scope of the material and the range of processes available – including hot glass, kiln-formed glass, coldworking, and architectural glass – results in a wide range of object outcomes, from product design and sculpture to architectural installations.
You are encouraged to develop a purposeful intention to enable clear definition and placement of your work in the external market. You will also benefit from our international networks – the college has hosted glass artists such as Antoine Leperlier and Heike Brachlow.
Our staff have worked in the glass industry, curated the international glass pavilion at Art Shanghai, published critical writing on contemporary glass, and have been instrumental in developing innovative academic glass programmes in China and South Africa.
The programme seeks to affirm or redefine your position as a maker by learning through making, as well as through theoretical and practical applications.
In addition to a keen interest in material qualities and the heritage of glass practice, topics driven by narrative developments and current issues, such as the rise of digital tooling and globalisation, will be ongoing conversation points as you explore the ever-changing technological landscape. At the core of this programme are the themes of reflecting through making and reflecting on making.
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